Since her initial monologue, she has appeared on three more This American Life episodes. Portions of the monologues from Un-Cabaret were featured on This American Life (then known as Your Radio Playhouse) in January 1996 in episode 9. The film earned the Golden Space Needle Award at the Seattle Film Festival. Miramax released a film version of the show in 1998, directed by Sweeney and produced by Quentin Tarantino. God Said Ha! moved to Broadway, winning the 1996 New York Comedy Festival's Audience Award, and a CD recording of the show earned her a Grammy nomination for Best Comedy Album that same year. Throughout the ordeal, Sweeney told stories of her experiences in serio-comic performances at L.A.'s alternative comedy club, the Un-Cabaret, eventually developing the stories into a one-woman stage show, God Said Ha!, which debuted at San Francisco's Magic Theater in 1995. Her brother Michael was diagnosed with lymphoma, and shortly thereafter Sweeney discovered that she too had cancer. God Said Ha!Īfter leaving the cast of Saturday Night Live, Sweeney returned to Los Angeles where, shortly afterwards, her career was put on hold by a series of personal traumas. Sweeney has created and performed three autobiographical monologues, God Said Ha!, In the Family Way, and Letting Go of God. Sweeney's 1993 impression of Chelsea Clinton caused a stir when Hillary Clinton found it offensive and sent an angry letter to SNL 's Studio 8H. She joined the regular SNL cast the following year and remained with the show through four seasons, from 1990 to 1994. ![]() Saturday Night LiveĪt a Groundlings performance in 1989, Saturday Night Live ( SNL) producer Lorne Michaels discovered Sweeney and offered her a spot as one of SNL's featured players. In 1994, she had a small role as "Raquel" in the movie Pulp Fiction. The latter was on the soundtrack to the Lorne Michaels movie Wayne's World. In 1992, she also worked with the rock band Ugly Kid Joe, performing in the music video for their hit "Neighbor" and contributing introductory audio to two tracks, "Goddamn Devil" and " Everything About You". Weekly in 1988 and has been developed by Sweeney (in collaboration with Jim Emerson) into a screenplay and the androgynous Pat, whose impossible-to-determine gender was the basis for Sweeney's popular It's Pat! skits on Saturday Night Live, and later for her feature film of the same name, which never received a national release but has since gathered a small cult following. They include Mea Culpa, the title character of Mea's Big Apology (co-written by then-husband Stephen Hibbert), which won the Best Written Play Award from L.A. It was at The Groundlings that she began to develop characters, which she would later bring to the stage, film, and television. Ultimately, it's Sweeney's self-awareness and comic timing that saves this book from similar accusations.In 1988, while still working as an accountant, Sweeney enrolled in classes with the improvisational comedy troupe The Groundlings, eventually being selected to be part of the troupe's Sunday Company. ![]() ![]() There are serious notes too: the death of her brother during writing and a plea for abortion rights in the United States, as well as the odd rant, for example about the too-wide strollers pushed by self-absorbed parents. Screenwriter, actress and comedian Julia Sweeney faces the prospect of a month at home without her husband and eight-year-old adopted daughter, Mulan, with unbridled joy in this funny memoir about her break from reality.įans of the television series Sex and the City and Desperate Housewives, for which Sweeney used to write, will recognise its narrative style of zippy anecdotes, flashbacks, direct address and self-revelation, as she explains a relationship break-up, adopting her then 17-month-old daughter, hiring a nanny, acquiring a dog instead of child No 2, meeting a husband and moving to a small town from Los Angeles.
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